Chilling Tales of Horror
Explore spine-tingling stories and eerie interviews.
Final Cut Frights dives deep into the shadows of cinema, reviewing and rating horror films across the decades—from the black-and-white classics of the '30s to the blood-soaked blockbusters of today. Each episode unearths a generational gem (or nightmare), dissecting its themes, scares, cultural impact, and whether it still haunts modern audiences. With sharp commentary, chilling trivia, and spine-tingling sound design, the podcast delivers both nostalgia and new terror, examining how horror evolves—and what still keeps us up at night. Whether you're a die-hard fan or a curious creeper, Final Cut Frights dares you to face every era of fear.


Keith Belk is a passionate movie aficionado with a deep love for cinema's power to entertain and provoke thought. A proud member of the American Film Institute, Keith has spent years honing his craft as a film critic, with a particular focus on the horror genre. His keen eye for storytelling, direction, and atmosphere has made him a trusted voice for horror fans everywhere.
When he's not analyzing the latest fright flicks or diving into the classics, Keith can be found enjoying a cozy movie night, always on the lookout for his next favorite horror film. Whether it's a cult classic or a modern masterpiece, Keith brings his sharp insights and love for the genre to every review.

Richard DuBois has always been drawn to the things that go bump in the night. His journey into horror began with a childhood love of creepy stories, starting with Nightmares: Poems to Trouble Your Sleep by Jack Prelutsky—complete with ghouls, vampires, and other monstrous bedtime companions. He checked it out of the school library so often that other kids never had a chance. Later came fantasy epics like The Hobbit, followed by spine-chilling novels from Stephen King and Dean Koontz. These early reading obsessions planted the seed for a lifelong passion: crafting tales that both entertain and terrify.
Richard does most of his writing in the quiet hours after midnight, when the world is still and the shadows stretch a little farther than they should.
He builds soundtracks for each book to deepen the mood, immersing himself in the atmosphere of each scene. For him, writing is a solitary act of obsession and imagination—but nothing compares to the thrill of connecting with readers and seeing their excitement. “Writing is lonely,” he says. “Audience feedback always puts wind back in my sails.”
His goal? Terror. Nail-biting, sleep-disrupting, flashlight-under-the-covers kind of terror. But if young readers also walk away with stronger reading skills, sharper imaginations, and maybe even a sense of self-worth, he won’t complain. After all, reading sparked his own love of storytelling. Now, he’s paying it forward—one ghoul, ghost, or haunted house at a time. He lives in New Jersey with his son and rescue dog, Boris.
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